Songs from a Marriage

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A Time for Love

At the Rubicon Theatre, Saturday, February 3.

Reviewed by Bojana Hill

This musical valentine is a witty, charming, and poignant story of love and marriage created by Tony-award winner Richard Maltby Jr. and Grammy- and Academy Award-winner David Shire. The two artists may know something about successful relationships, apart from a conventional marriage, as they have successfully collaborated for almost 50 years. The audience’s warm response to A Time for Love suggested they identified with the show’s universal message, which is that love and marriage are unpredictable.

Lois Robbins and Brian Sutherland are onstage for 70 minutes without an intermission. The initial image of a smiling couple appears center stage in a large picture frame, only to be followed by a series of musical vignettes, each suggesting a phase in a relationship. Additional video images of local couples are projected on two screens in both corners of the stage — brief punctuations illuminating the characters’ experiences onstage.

Asked about their courtships, break-ups, and precepts for enduring love, these real-life characters were not only somehow familiar, but also hilarious: “Love comes and goes, but the brisket is forever!” quips one husband, when prompted to define the mystery of attraction and love. Similarly, the couple onstage — known simply as Man and Woman — use humor to describe the awkward, yet exhilarating sparks that led to their marriage.

The musical tells what happens after they lived happily ever after in a sequence of melodies, each resembling a one-act play, as the director Silberman puts it. Some lyrics, such as “the longing is a given,” accentuate nostalgia, while others expose the couple’s dismay at their unmet expectations. The Man foresaw marriage as an inner earthquake, with great turmoil and upheaval, but instead he and his partner are merely comfortable with each other, like worn-out shoes. They also sing of the “parent paradox” — the desire that children never grow up, only to await eagerly their change. The intimate scenes depicting the busy couple juggling the demands of career, marriage, and newborn baby are real, honest, and bittersweet. As the couple drifts apart, the number “There” foreshadows the impending divorce. If the separation was predictable, the unexpected twist in the end surely is not.

Contributing to the show’s hopeful spirit are some well-known melodies from Maltby and Shire’s previous Broadway hit musicals and revues, such as Baby, Big, Starting Here, Starting Now, and Closer than Ever. Five newly composed songs were incorporated into the evening’s performance, but that might change. Robbins’s lithe movements and Sutherland’s athletic, all-American good looks were a pleasure to behold.

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