“Cow,” part of Howard Warshaw’s <em>New Forms</em> exhibit at Sullivan Goss, An American Gallery.

“Cow,” part of Howard Warshaw’s New Forms exhibit at Sullivan Goss, An American Gallery.

Spring Arts Preview 2012: Visual Art

Santa Barbara Museums and Galleries Overflow with Ideas and Expression

Rafael Perea de la Cabada’s Alien Heartland at the Westmont Ridley-Tree Museum of Art: This charismatic and versatile Santa Barbara resident gets a much-deserved retrospective at the gorgeous new Westmont Museum that was recently named for philanthropist and art collector Lady Leslie Ridley-Tree. Perea de la Cabada’s work combines abstraction, representation, and expressionism in multiple media to create an always interesting, and often heart-wrenching vision of Mexican-American identity in Southern California today. Through Saturday, March 31. Call 565-6162 or visit

An architectural rendering in <em>Carefree California: Cliff May and the Romance of the Ranch House</em> at UCSB’s Art, Design & Architecture Museum.
Click to enlarge photo

An architectural rendering in Carefree California: Cliff May and the Romance of the Ranch House at UCSB’s Art, Design & Architecture Museum.

Howard Warshaw’s New Forms at Sullivan Goss – An American Gallery: “Cowboy Cubist” Howard Warshaw created some of the most dynamic and intriguing paintings and murals produced in California during the 20th century. An early (1957) addition to the UCSB fine arts faculty, Warshaw painted important murals in nearly all of the UC schools of his time, along with major works for the Santa Barbara Public Library and Bowdoin College in Maine. His fascinating equine and bovine paintings of the 1950s and 1960s are among the most lyrical cubist-influenced pictures ever painted in this country. New Forms offers a substantial selection of work from both the paintings and the murals. Through Sunday, June 3. Call 730-1460 or visit

Carefree California: Cliff May and the Romance of the Ranch House at UCSB’s Art, Design & Architecture Museum: This show inaugurates a new era for the gallery space and the permanent collection at UCSB, and it’s an entirely appropriate choice, as no one could be more of an embodiment of the interpenetration of art, design, and architecture than influential architect Cliff May. His popularization of the “indoor-outdoor” ideal of California living did more to shape the American home-scape of the 1950s and 1960s than any other figure, as literally thousands of communities all over the country erected ranch houses that were either inspired by or directly constructed from May’s drawings and blueprints. Through Sunday, June 17. Call 893-8000 or visit

More Visual Art:

The New MFAs of UCSB + UC Davis. At Jane Deering Gallery through Tuesday, March 27.

Madeline Garrett—Unbound. At Artamo Gallery through Sunday, April 1.

Original/Multiple: Following the Red Thread. At the Elverhøj Museum of History & Art through Saturday, April 7.

Flights from Wonder. At the Santa Barbara Contemporary Arts Forum through Sunday, April 22.

Earth As Art 3. At the Wildling Art Museum through Sunday, May 13.

James Hapke: Prints. At the Arts Fund Santa Barbara through Saturday, May 19.

Pasadena to Santa Barbara: A Selected History of Art in Southern California, 1951–1969. At the Santa Barbara Museum of Art through Sunday, May 6.

Open House. At the CAF Satellite at Hotel Indigo through February 2, 2013.

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