Review | Symphonic-Dance Highs and Wherefores
In an unprecedented collaborative season opening for the Santa Barbara Symphony and State Street Ballet, Prokofiev’s “Romeo and Juliet” shines, with a proposal on top.
In an unprecedented collaborative season opening for the Santa Barbara Symphony and State Street Ballet, Prokofiev’s “Romeo and Juliet” shines, with a proposal on top.
“Roofman” is an amusing and ripe vehicle for the particular talent of Channing Tatum, in good guy/bad guy mode.
“Lines of Inquiry” offers a diverse view of work by Westmont College’s Art educators.
This week offers up a wealth of concert options, in the symphonic, new bluegrass, white R&B and hybrid Mexican zones.
The beloved, veteran Blind Boys of Alabama return to Santa Barbara, with the real deal in tow.
A “close escape” trip reminds us of the strange magic of this beach town that time half-forgot.
First annual “Brave New Work” symposium and exhibition explores the merger of art and AI, and other technologies, all over town.
Remarkable Russian Pianist Daniil Trifonov kicks off the UCSB Arts & Lectures season in sublime style; pipe organ gets its close-up with two recitals this week.
Artist Madeleine Ignon’s Architectural Foundation Show, “the taut and the lush,” deals with her new dual identity as mother/artist.
“Every Brilliant Thing’s” Jonny Donahoe is back with “Jonny & The Baptists,” again benefitting New Beginnings.