Laurie Anderson Brings Homeland to Campbell Hall
Stories are so powerful that it’s a wonder people don’t put more effort into them.
Stories are so powerful that it’s a wonder people don’t put more effort into them.
Sullivan Goss continues to explore the cultural legacy of 20th-century emigres to California in this exhibition of the work of distinguished sculptor, painter, and art professor Sidney Gordin.
Iran-born, Berlin-based artist Setareh Shahbazi takes photographs and collects pictures from commercial sources, then modifies these images digitally before printing them for display.
It was the middle of December and raining hard in Santa Barbara when I met up with actor Robert Lesser to hear his story about the film he made in Japan.
The Syringa Tree portrays an epic subject-South Africa during the years of apartheid.
Asaad Kelada has directed a very accomplished and effective version of John Patrick Shanley’s play about a crisis within a Catholic middle school circa 1964.
Modern versions of ancient Greek tragedy face many obstacles on their way to potential aesthetic success.
“Armageddon” may not sound like a very auspicious beginning to an evening, but when the “Armageddon” in question is Wayne Shorter’s 1964 composition of that name, the arranger is Dave Douglas, and the group is the 2008 edition of the SFJAZZ Collective, things are off to a good start.
Anchormen Seem Obsolete at the 2008 Nieman Conference on Narrative Journalism
2008 Spring Theater Preview