Across the Universe
It’s hard to believe that the mind that framed the viscerally disturbing Titus (1999) and the sexually luminous Frida (2002) could fluff out into this embarrassing claptrap. Julie Taymor’s film combines all the worst aspects of a debased concept: the corporate simulation of the countercultural epic. This is a genre that has included such loathsome camp extravaganzas as Hair, Tommy, Sgt. Pepper’s Lonely Hearts Club Band, and Rent.
