Review | Neo-Outlaw Hoedown, Bowl-side
Johnny Blue Skies, nay new outlaw country master Sturgill Simpson, triumphs in a three-hour southern rocking hoedown at the Santa Barbara Bowl.
Johnny Blue Skies, nay new outlaw country master Sturgill Simpson, triumphs in a three-hour southern rocking hoedown at the Santa Barbara Bowl.
Roy Gandy, founder and proprietor of classic downtown restaurant Roy for 30-plus years, set to close by year’s end.
Los Angeles–based German photographer Michael EB Detto brings his impressionistic photography to the Seimandi & Leprieur Gallery.
Music man Zach Madden keeps the torch of showcasing singer-songwriters at Roy; Santana Hits the Bowl for a Long-awaited Return, a Double-header.
May Pang, Lennon’s lover during his ’70s “lost weekend” period, brings a pop-up show of her insider photos of the legend to the Tamsen Gallery.
Now at UCSB AD&A Museum, ‘Bonnie Ora Sherk: Life Frames Since 1970’ showcases the unique late conceptual artist and environmental activist.
The Who’s frontman Roger Daltrey, 82, serves up a formidable set with his adaptable band, in and out of and beyond the Who songbook, in the intimate quarters of the Lobero.
Saga of Dolly, Sturgill/Johnny, and variations on the theme of soul, brought to us by the Santa Barbara Bowl.
Roger McGuinn, cofounder of the influential folk-rock band The Byrds, brings his “Songs and Stories” to the Lobero.
Ridley Scott’s latest outing, “The Dog Stars,” heads down the apocalyptikitsch path, mixing genres as it goes.