POSTPONED – Critical Mass Talks, Staged Reading, and Exhibit

**Events may have been canceled or postponed. Please contact the venue to confirm the event.

Date & Time

Thu, Apr 02 10:00 AM - 9:30 PM

Address (map)

UCSB, CA 93106.

Venue (website)

McCune Conference Room



10:00 am – 4:00 pm – Exhibit: The Cheez-It Boxes of Professor King
4:00 pm – 6:00 pm – Talks: William Davies King and Rebecca Falkoff
8:00 pm – 9:30 pm – Staged Reading: Collections of Nothing More or Less


10:00 am – 4:00 pm – Exhibit: The Cheez-It Boxes of Professor King

King’s Cheez-It box collection will be on exhibit in the Crowell Reading Room (HSSB 6028) from 10 am to 4 pm.

4:00 pm – 6:00 pm – Talks: William Davies King and Rebecca Falkoff

The Creative Edge of Collecting

William Davies King has spent a lifetime collecting nothing in a way he brought to light in his 2008 book Collections of Nothing. His collecting of such things as Cheez-It boxes, “Place Stamp Here” squares, hotel door cards, and the little stickers you find on fruit runs into the tens of thousands of items, all on the low edge of the valueless and the ephemeral. But he has also spent a lifetime engaged with the arts–drama, performance art, collage–and he has explored the ways the activity of the collector, who thinks through the world, connects to the work of the artist, who makes a world through things. Using exhibits, imagery, anecdotes, and ideas, he will open up the creative nexus of collecting and its power to re-create the world.

William Davies King is Distinguished Professor of Theater and Dance at UC Santa Barbara. He is the author of Henry Irving’s “Waterloo”: Theatrical Engagements with Late-Victorian Culture and History (1993), Writing Wrongs: The Work of Wallace Shawn (1997), “A Wind Is Rising”: The Correspondence of Agnes Boulton and Eugene O’Neill (2000), Collections of Nothing (2008), and Another Part of a Long Story: Literary Traces of Eugene O’Neill and Agnes Boulton (Michigan, 2010), and he is the editor of critical editions of Long Day’s Journey Into Night (2014) and The Iceman Cometh (2020).

An Oikos for Everything: Hoarding against Waste

The first decades of the twenty-first century have seen an explosion of interest in hoarding, and in those whose accumulated possessions overwhelm living spaces, rendering them unusable and often unsafe. Hoarding is the subject of recent documentary and feature films, novels, memoirs, self-help books, installation art, stand-up comedy acts, and of course, reality series. In her talk, Rebecca Falkoff will explore the relationships between hoarding and wasting, and the narratives through which they are antithetically conjoined. Modern literary and visual texts from Nikolai Gogol’s 1842 Dead Souls to Song Dong’s 2005 Waste Not present hoarding as a way of suspending matter between waste and use in a bounded space of potential.

Rebecca Falkoff is an Assistant Professor of Italian Studies at New York University. She recently completed her first manuscript, Possessed: A Cultural History of Hoarding, and is working on a new project about industrial chemistry and literature, Modernity in the Air. She has published on illegibility, flea markets, and the Ferrante phenomenon. Her work on Carlo Emilio Gadda’s scientific and technical writings was awarded the Romance Studies Early Career Researchers Essay Prize.

A reception will follow.

8:00 pm – 9:30 pm – Staged Reading: Collections of Nothing More or Less

Written by William Davies King
Directed by Risa Brainin (Theater and Dance)
Cast: Irwin Appel (Theater and Dance), Cooper Bruhns (Theater and Dance BFA), and Anne Torsiglieri (Theater and Dance)

The play delves into the mixed-up mind of the mega-collector and asks of that massive pile of stuff–thoughts, feelings, and jokes–the crucial question facing us all: What next?

Sponsored by the IHC’s Critical Mass series, the Hester and Cedric Crowell Endowment, and the Department of Theater and Dance’s LAUNCH PAD series


Exhibit: The Creative Edge of Collecting

Portions of Professor King’s collections of nothing will be on display in the UCSB Library, Mountain Gallery (1st Floor, Mountain Side), from March 2 through June 6. The exhibit is curated by Jasmine Bushehry and Rhiannon Gonzales of UCSB’s Museum Studies program.



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