Songs of Life

Article Tools

Print friendly
E-mail story
Contact an Editor
iPod friendly
Comments

Bookmark This

del.icio.us.
Digg!
furl
google
newsvine
reddit
technorati
Facebook
Yahoo!

Dawn Upshaw, presented by CAMA. At the Lobero Theatre, Wednesday, February 14.

Reviewed by James Hanley Donelan

Last week, Dawn Upshaw took the stage at the Lobero, but her lovely hair did not. In her first tour — and second concert — after being treated for cancer, she was as warm and charming as ever, but her change in hairstyle reminded us how short our time on this earth can be, and how rare an evening of excellent music really is. The tail end of a bad cold forced Upshaw to cut some songs from the program, but no one seemed to mind. The privilege of hearing one of the world’s great voices was more than enough to make us happy.

She began with a few numbers from Stephen Foster, including “If You’ve Only Got a Moustache,” which, under the circumstances, was deeply funny, and sounded easy, comfortable, and rich. After a joyous, but brief visit to the German Lieder with Schumann’s “Er ist’s!,” Upshaw sang some of her favorite selections from Mussorgsky’s The Nursery, where she played, in turn, a nanny scolding, a child praying, and a hobby-horse neighing. No translation from the Russian was necessary — we understood it all, and loved every note.

After the intermission, pianist Molly Morkoski played an excerpt from Charles Ives’s Sonata No. 2 for Piano: Concord, Mass., 1840-1860, his tribute to the transcendentalists. This brief performance left us wanting to hear the rest of this 45-minute work, and more from Morkoski. In the movement we did get, “The Alcotts,” you can hear the quiet of a snowy night in 19th-century New England, the sonorities of a church choir, and subtle hints of the chaos that would come with the Civil War.

When Upshaw returned she had only a few more songs for us, but they were perfect. William Bolcom’s “Song of Black Max,” a wickedly clever cabaret song, struck exactly the right note between funny and eerie, while his “Amor” made for a brilliant finale. The song takes the point of view of a woman so captivating that she causes people to cry “Amor!” almost everywhere. Perhaps it was the character’s voice that made everyone shout for joy — it seemed a reasonable thing to do as Upshaw took her bows.

Comments

Discussion Guidelines

Currently:
Mist
Temperature:
62.1°
Wind:
5 SE