Gov’t Mule’s Take-No-Prisoners Rock ’n’ Roll

by Alison Meeder

Gov%27t-Mule.jpgOn October 8, Gov’t Mule brings their
soulful, southern rock jams to the Arlington Theatre. Led by guitar
player and vocalist Warren Haynes, the band has been crafting its
classic sound for more than 10 years, and according to the seasoned
front man, should be going strong for decades to come.

Haynes, 46, began playing guitar at the age of 12 and started
working nightclubs and private parties at 14. In the early 1980s,
he became the touring guitarist for country music outlaw David
Allen Coe, and later joined the Allman Brothers Band to replace the
departed Duane Allman. In August 2003, Rolling Stone listed Haynes
at number 23 on its list of the 100 Greatest Guitarists of All
Time. “I was very flattered,” Haynes told me by phone. “When they
called to let me know I was on the list I assumed I’d be number
100, so it was a nice surprise.”

Gov’t Mule was formed in 1994 as a side project made up of
Haynes, drummer Matt Abts, and Allman Brothers bassist Allen Woody.
After Woody’s death in August 2000, it was decided after much
consideration that the band would go on without the founding
member. An expanded lineup was assembled including Andy Hess on
bass and Danny Lewis on keyboards. The new four-piece has since
released 2004’s Déjà Voodoo and this year’s High and Mighty.
Billboard Magazine cited the new release as “a quantum leap for the
band,” and Haynes readily agrees. “You can really hear the growth
over the past two years on this record. I’m very proud,” he

Growth isn’t the only thing to be heard. In a word, High and
Mighty’s sound is big. Described by Haynes as being for “fans of
real music only,” the album brings flawless psychedelic rock with a
fearless swagger. Guitars soar and crackle with a deep, dark
electricity. At different turns, vocals reveal unmasked fear, love,
and anger. The feeling is grand southern rock through and through,
and listening gives the impression of a smoldering live

The live sound is no accident. The album was recorded with all
four Mule members playing together in one small room. In the age of
Pro Tools, this type of old-school process is nearly obsolete. For
Mule, however, the method came naturally. “We’re all career
musicians,” said Haynes “and we take a jazz approach when working
with one another. One person can improvise in the moment. We know
how to communicate with one another.”

High and Mighty is marked throughout by themes of adversity and
inner conflict. The album touches on political dissension, but is
often more critical of society as a whole than of specific
political figures. One track in particular, “Like Flies,” tackles
the concept of instant notoriety. Haynes has little patience with
the MTV generation and the idea of reality TV as a career
launchpad. “We have a generation of people willing to compromise
their integrity in order to become famous. Art has become less
important than ever in this country,” he said. “I come from a
different generation where being a musician is a real career. I
don’t want a band with a five-year life span. I want to be like
John Lee Hooker. I still want to be doing this thing when I’m

4•1•1 Gov’t Mule will perform with
Donavon Frankenreiter on Sunday, October 8 at the Arlington
Theatre. Tickets are $22-$31. Call 583-8700.


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