Film Review | Coupled-Up Crime, Paying and Otherwise
‘Carolina Caroline’ embraces the “lovers in criminal cahoots” genre, but adds unexpected emotional spin to the recipe.
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‘Carolina Caroline’ embraces the “lovers in criminal cahoots” genre, but adds unexpected emotional spin to the recipe.
The New Zealand film ‘Mārama’ addresses ancestral trauma among Māori characters, using the horror genre effectively.
Summer movie specials are back at the Courthouse and Camino Real Cinemas with special outdoor movies at the zoo.
Daniel Roher’s ‘Tuner’ is a unique kind of thriller, casting an eye on the rarified world of the piano tuner, and the expressive power of sound.
Action trumps story in ‘Star Wars: The Mandalorian and Grogu’, but Baby Yoda oozes charm.
The haunted hotel genre is keenly tapped and rebooted in the Adam Scott-starring ‘Hokum’.
Filmmaker Gabe Polsky joins SBIFF’s Roger Durling for a post-screening conversation.
“Michael” is a selective biopic that presents former “local artist” Michael Jackson as a princely, untarnished hero, with his father as the über-villain.
‘The Christophers’, the latest in Steven Soderbergh’s prolific output, is an artworldly cat-and-mouse game and an Ian McKellen showcase.
‘Normal’ fits neatly in the post-‘Fargo’ niche of film genres, where things seriously go bump in the night of small-town America.