Film Fest Remembers Edie: A lot of people
couldn’t handle the ’60s and Santa Barbara’s poor little rich girl
Edie Sedgwick was one of them. Edie always ran in first gear, and
in New York she hung with Andy Warhol and Bob Dylan, modeled in
Vogue, appeared in Life, and was dubbed Warhol’s Girl of the Year
in her early twenties. But first gear and sex with stars wasn’t
enough — however, speed eventually proved too much.

Edie appeared in Andy’s underground movies, including Chelsea
Girls, and was quite the toast of the town. She is said to be the
inspiration for Dylan’s “Just Like a Woman” and for the 1966 album
Blonde on Blonde. Dylan denies they had an affair, but the
friendship ended when she found out he was secretly married.

Oddly, Edie wasn’t getting much ink in her hometown Santa
Barbara News-Press. Daddy, rancher Duke Sedgwick, had powerful
friends and some were running the paper. A sculptor, man of many
extracurricular affairs, and macho domineering father who came from
old East Coast money, Duke had a thing for his pretty daughter and
tried to bed the girl, according to Jean Stein’s 1982 book Edie:
American Girl. A strange yet handsome man, Duke kept his eight kids
isolated on his ranch and sent two of them into mental institutions
(Edie got pregnant in one and had an abortion), a third to suicide,
and Edie to an OD death at 28.

With his wife’s money, he bought a Santa Ynez Valley ranch and,
when he discovered oil, he bought a bigger one. While it was Edie
who spent time in mental hospitals, some in the family felt Duke
was the one who belonged there. Someone called him a cross between
“Mr. America and General Patton.” Duke strutted around in a
loincloth and tightly controlled the kids, who naturally

Eventually, the Warhol set got tired of Edie and her drugs and
she returned to Santa Barbara. Warhol then edited her out of
Chelsea Girls. According to her brother, Edie claimed she was
pregnant with Dylan’s child when she was injured in a motorcycle
crash. Doctors sent her to a mental hospital, where she was treated
for drug addiction, and required to have an abortion because
doctors feared the baby had been damaged by her drug use and

In 1971, she married Michael Post, whom she met in the Cottage
Hospital psychiatric ward after being busted for drug offenses by
police, according to The Web site further explained,
“On the night of November 15, 1971, Sedgwick went to a fashion show
at the Santa Barbara Museum of Art, a segment of which was filmed
for the TV show An American Family. After the fashion show, she
attended a party and was supposedly attacked by a drunken guest who
called her a heroin addict.” Post took her home and gave Edie her
prescribed medication. When he awoke the next morning, she was
dead. The coroner marked it “accident/suicide,” due to a
barbiturate overdose. She was 28.

The only News-Press coverage of Edie’s flaming life I’m aware of
was a one-paragraph news story of her death in a paper that had
never featured its famous debutante and Radcliffe College dropout
during her life.

If it sounds like a movie, it is, at least part of the story.
Factory Girl, the title taken from the name of pop artist Warhol’s
New York romper room, traces Edie’s skyrocketing “career” and its
flameout. (The film will be screened at the Arlington as the
opening night offering from the Santa Barbara International Film
Festival on Thursday, January 25.) There was no way, the movie
shows, that she could have grown up to be a valley girl riding
horses in the Fiesta parade and raising kids.

Instead, she was buried in a small ceremony at Ballard. There is
a modest marker. Duke Sedgwick’s main monument is the cowboy
sculpture at Earl Warren Showgrounds. The Sedgwick Ranch is now a
preserve owned by UCSB.

Moving On: While at the News-Press, ad manager
John Leonard was one of the nicest guys in the building. But then
owner Wendy McCaw fired him. Now Leonard, 61, has been hired by the
Santa Barbara Daily Sound as its GM. Meanwhile, Amy Weinstein of
the News-Press copy desk will be joining the copy desk of the New
York Times-owned Santa Rosa Press Democrat.

Joy to the World: Joy Wells was a delight to work with at the
News-Press during her nearly 34 years there. As former editor Jerry
Roberts’s secretary, she was a friend to all — well, apparently not
all. Just before Christmas, the powers that be called her in and
notified Wells that she was not sufficiently supportive of the new
regime. She was effectively discharged, but, oh, management said
she could apply for another job somewhere downstairs at no loss of
pay. On December 30, Wells notified the paper she was out of

“I hereby resign from the News-Press,” she wrote, “as I can no
longer justify working in an atmosphere that has become rife with
suspicion, distrust, secrecy, fear, and vindictiveness and I
decline the offer to apply for any alternate position.”

You can reach Barney at 965-5205 or via
He also writes a Tuesday online column at and Barney’s Weekend
Picks on Fridays.


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