Charles Donelan
Paul Wellman

As part of our year in review, we’ve asked a few of our writers and editors to suggest a few of the stories they were particularly proud of this year. Here’s what Executive Arts Editor Charles Donelan told us.

Nothing like a close call with an apocalyptic inferno to awaken one’s sense of gratitude, so first off, here’s to the firefighters who kept us safe, and to my amazing colleagues in news for providing such outstanding, timely, accurate, and ultimately reassuring updates on the immense struggle we have been through with the Thomas Fire. On behalf of the arts community, we love you more than you can know.

1. ‘From Good to Great with the UCSB BFA Program in Theater’

Irwin Appel (center) huddles with his cast.
Paul Wellman

I was very fortunate this year to have so many major efforts in the arts to write about. At the top of my list I have put this story about the UCSB BFA program in theater and dance. The university enriches our community in so many ways that it’s sometimes hard to acknowledge all of them. I was very glad to finally get around to profiling this great program.

2. ‘Gary Goddard Accused of Child Abuse in Santa Barbara’

Goddard (center) poses with Mark Driscoll and other protégés.

In the smoky first week of the fire, I spent hours on the phone and in person speaking with the brave sources for this piece, which is probably the saddest I’ve ever had to write.

3. ’21st Century Tango’

Choreographers Kate Weare and Esteban Moreno combining their talents for 2017’s DANCEWorks at the Lobero Theatre
Paul Wellman

Santa Barbara’s rising role as an international art center is due in no small measure to our vibrant dance scene, and Dianne Vapnek and the Lobero Theatre are at the heart of it. Viva tango!

4. ‘Pacific Standard Time: LA/LA’

The city’s art museums demonstrated an exemplary capacity for leadership and collaboration during the Southern California–wide PST:LA/LA celebration.

5. ‘‘Radical Bodies’ at UCSB’s Art, Design and Architecture Museum’

<strong>UNDER CONSTRUCTION:</strong> For the 1965 Anna Halprin piece titled “Apartment 6,” sculptor Charles Ross not only built an elaborate structure for the dancers to climb on, but he also came onstage and built a rhinoceros out of paper. The dance began and ended when Ross started and nished the rhino.

Speaking of collaboration, the Radical Bodies exhibition at UCSB’s AD&A Museum led the way toward a new level of understanding between academics, visual artists, choreographers, and dancers.


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