La Petite Chouette dancers performed on <em>corde lisse</em> during the “Indah Mata” part of Tuesday’s show.
Courtesy Photo

The circus has come a long way from the horse-and-chariot races of ancient Rome or the traveling freak shows of the late 19th century. Founded by Ninette Paloma just six years ago, Santa Barbara’s La Petite Chouette (LPC) aerial dance company belongs to the tradition of nouveau cirque; the circus’s contemporary, theater-based offspring. Last Tuesday night at the Lobero, LPC presented Indah, their latest blend of modern dance and aerial acrobatics. Forget ringmasters and clowns, elephants and midgets; Paloma hones it all down to the beauty and grace of the airborne human form.

It’s no surprise, then, that this all-female company is at its strongest in the air. Onstage, the performers look slightly stunned, like birds whose wings have been clipped. Yet give them a hoop of metal or a bolt of silk suspended from the ceiling, and they soar.

This three-act program opened with junior company member Luna Webster darting down the center aisle with a bunch of red balloons, a Romantic tutu skimming her shins. From this vision of youthful wonder, the scene opened onto a world where coquettish stilt walkers beckoned to the audience and trapeze artists stroked their ropes suggestively. On aerial frame, Webster and Sophia Phillips were like playful squirrels, rolling over each other’s bodies, counterbalancing their weight, and using each other’s limbs to dangle into thin air.

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