Think of the Lobero Theatre as the Fred Astaire of Santa Barbara venues — it specializes in making beautiful and difficult things look deceptively easy. Whether it’s the warm, relaxed presence of David Asbell, the Lobero’s executive director and our town’s most affable master of ceremonies, or the personable, intimate manner of such staff members as Jim Dougherty, development director; Angie Bertucci, marketing and communication officer; Genevieve Bierman, box office manager; and Holly Chadwin, executive assistant; or the steady, immaculate professionalism of Todd Jared, the theater’s technical director, the Lobero is that rare organization that flows along as though it ran itself.

But, of course, as with even the great Fred Astaire, that perception is far from the truth. Behind every one of the countless memorable shows that go on there, from the steely intelligence and virtuosity of a CAMA Masterseries recital to the get-down funk of a Lobero Live roots-music house party, there’s an extraordinary array of tasks, big and small, simple and complex, pleasurable and maddening, that must be completed before the show can go on. Generally though, we in the audience never see that, because that’s the Lobero way — never let them see you sweat.

Tomorrow, on Friday, February 22, the Lobero will celebrate its 140th birthday with another seemingly effortless little get-together — just cocktails and snacks for a few hundred of the theater’s closest friends. In addition to this birthday bash, however, this year the Lobero will also offer the opportunity, through a campaign called Encore Lobero, for members of the community to join the team that makes this great institution possible. After several years of planning, and after having raised more than $5 million silently toward the task, the Lobero will be appealing to the general public to help close the last million-dollar gap in its fund to finance a major six-month renovation beginning in June. It’s the first such renovation for the theater in decades and one that will conclude with a brilliant reopening in late 2013.

The Lobero Theatre
David Bazemore

When the new Lobero comes online in December, the already high level of comfort and excitement provided by this historic landmark will be cranked up another few notches. Seating capacity will be downsized — yes, you heard that right, downsized — from the current number of 680 seats to a positively luxurious 605. This decision, partly motivated by safety considerations, will result in a first-class experience as roomy and comfortable as any theatrical seating anywhere. But that’s not all. Out front, where for years intermission has sent audience members to a lovely, if slightly rustic, destination that tapers several feet to the sidewalk, a new esplanade will put everyone on the same level. Permanent benches and flexible facilities designed to accommodate not only the usual beverages but also pop-up food carts will add to the atmosphere, creating a destination that is designed to lure concertgoers to the theater well in advance of showtime.

Inside, what Asbell refers to as “the obligatory restroom expansion” will render bathroom lines (and jaunts around the corner to the public restroom on State Street) a thing of the past, but the single biggest change will be both invisible and ubiquitous. After careful consideration of the environmental impact, the cost, the Santa Barbara climate, and the theater’s year-round schedule, the decision has been made to supply the Lobero with a full-service, state-of-the-art HVAC system. Never again will the doors to Anacapa Street have to be opened so that the musicians onstage can have a breath of fresh air on a warm September night. And thus, as with everything it has done until now, the Lobero will continue to glow with elegance and talent. All while staying just as cool as Fred Astaire.


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